Tribeca Jacket


Tribeca Jacket Revisited

Linen Tribeca jacket

I made my first Tribeca jacket from the Sewing Workshop Collection (they call it a shirt) several years ago and was never quite satisfied with the fit.  I loved the fabric and was happy with my technical work, but I think possibly because I generally prefer more structured clothing that I always felt a little swamped or sloppy in it.  The interesting thing was that whenever I wore it, without fail,  I received compliments on it from friends and strangers alike.  It got so much positive feedback that I finally decided, what the hey,  maybe I should accept what the universe was telling me and decide to like it after all.

For reasons, which are now lost to me, I decided to line my first effort with a gold and black fabric; it was designed to be unlined but creating a lining was not difficult only more time-consuming to complete.  I finished the interior seams by turning under the raw edges and stitching down. The lining gave the jacket enough warmth for fall and winter wearing.

I applied a contrasting duppioni silk bias trim by hand (a true test of patience, for sure).   The patches for buttonholes were also completed in this same gorgeous golden-colored silk.

Tribeca Revisited

I have a piece of fabulous linen that I’ve been aging for quite some time.  I  love the rich color and its unusual sheen.  I have considered it for various patterns on many occasions over the years, but have always been reluctant to cut into it.  This week I decided it was time.  Here is the happy result.

The linen is unlined and finished with French seams.  The pieces went together very quick and easily.  The sleeves are set in with a French seam finish which is an unusual but very tidy application.  The inside looks as great as the outside.   I decided to leave the patches and buttons off (at least for now)  and just let it drape open.  I love the result and will definitely make this again.

Tribeca Jacket front view

About Kerri

I am a fabric-sewing enthusiast. All of my art is created in the medium I know best, beautiful, luscious, fabulous fabric. I have an intuitive understanding of the relationships between color, texture and design combined with my passion for detail and devotion to technical mastery makes fabric the natural medium for my artistic expressions My primary sources of inspiration for my sewing include historic costume, the interplay between fashion trends and classical forms, a penchant for quality and excellence and the beautiful colors I see in nature.

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